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Donen says this was due to problems with billing, pay and the fact the woman's role was central made it difficult to find male stars to play opposite her.

A lot of male actors didn't want to be in an ensemble piece or a piece with a woman as a strong character. The only two female stars considered "bankable" at the time were Barbra Streisand and Liza Minnelli.

However the stars could not be locked down. Reynolds said it was "very important" the film was a success "since my last three films went down the tubes.

Segal later dropped out of the project and was quickly replaced with Hackman. Gene Hackman initially did not want to do the film, but 20th Century Fox kept offering him more and more money.

Filming began in Guaymas , Mexico in February and finished in July of that year. It was an exceedingly difficult shoot, compounded by the isolation of the location, poor weather, and the fact so much of it was shot on water.

And shrimp. That's all we ate - shrimp. We were stranded. There was no TV, no radio, no American papers. The only way we knew what was going on away from the location was by telephone.

The artist Lilly Fenichel served as the film's art director. Scared of the boats, scared of the explosions, of the gunshots. I'd look at him between takes and he'd be like this [crouching with hands over his head].

But the bedroom scene with the three of us was so beautifully done. I remember going to rushes and saying, "This is going to be a winner - it really works.

Nobody knew what was happening and you didn't care for the characters. In the original script, the two male leads were killed by government agents and the final scene happened ten years later with Liza Minnelli's character married to a boring businessman remembering the men she once loved.

The writers said when they sold it, "The studio loved the script, and at that point no one objected to the ending.

We worked backwards from that. To us, the romance of the piece was in the idea of separation and loss. Because the film was booked in for a Christmas release, Donen only had three months to edit the film.

During this time Donen became concerned about the ending, feeling that the film had become much lighter than originally intended, and tried several different ones, including simply cutting off the final ten minutes.

He eventually decided the film needed a happy ending and Fox agreed to finance a reshot scene. Huyck and Katz wrote the new ending, albeit reluctantly.

But instead of making it the story of this woman, Stanley has made it a story of three people. That's valid. It's just different from what we originally intended.

Garth Wigan, a Fox executive at the time, later recalled, "We previewed the movie nine times. The 2-hour, minute version was wonderful.

Burt Reynolds and Liza Minelli died at the end and everything was set up for them to die. But market research told us they shouldn't die, so we started chopping a bit here, a bit there.

We took the seriousness out. The only good preview we had was when the film broke, and Stanley Donen, the director, did a dance for the audience while it was being spliced.

It was decided that the new ending was not suitable, in part due to poor make up. So a third ending was used, which cut off the last ten minutes of the film.

Minnelli later criticized Donen for taking "out the part that made you feel like the three of us are in peril. I saw the finished picture and I never once was afraid for us.

Most of the serious moments were removed too. Reynolds and Minnelli both criticized the new ending, requesting that the studio show the three different endings to the press.

Donen refused and since he had final cut the studio backed him. Donen called Minnelli an "emotional child" for this criticism. Roger Ebert gave the film 2 stars out of 4 and called it "a big, expensive, good-looking flop of a movie; rarely is so much effort expended on a movie so inconsequential.

This is difficult to understand, considering the people who are involved. Murphy of Variety called the film "strident, forced hokum. Stanley Donen's film caroms from one sequence to another with pointless abandon This is a major disappointment.

Apparently the filmmakers believed that the public would be sufficiently impressed with the antics of Gene, Liza, and Burt that it wouldn't care if the story made sense.

The movie we actually see is a cynical, vulgar, contrived, mismated, violent, uneven and uninteresting disaster.

Despite all the big-time reputations involved, class is the last word that would spring to mind while one was watching the film.

A month before the release of the film, Bantam Books issued a tie-in novelization of the screenplay by historical fiction writer Cecelia Holland under the pseudonym "Julia Rood.

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Several of the predominantly British crew were effectively recruited during this visit. During the Prohibition era , a young widow, Claire, gets involved in liquor smuggling and romance with two men, Walker and Kibby, off the San Diego coast.

Organized crime controls bootlegging back east and wants to do the same here, so a hit man named McTeague is sent to deal with these amateur crooks, as is the Coast Guard, leading to various battles at sea.

Katz and Huyck at the time were best known for writing American Graffiti. Before that film came out they were struggling writers, looking for an original project.

They worked on the script for six months. And we did a lot of research into the period and the language. They were helped by the fact that American Graffiti had since come out and been a huge success.

The writers wanted Steven Spielberg to direct and he was interested but had made a commitment to do Jaws. Katz said, "our reaction was, Stanley Donen seems so bizarre for this kind of film!

Then we realized he's the ideal director because he is really a romantic director, and he can do this kind of character stuff and the kind of humor that the film has.

Some changes to the script were made. The script was probably overloaded with action since we wanted to sell it. Actually, action is boring to write.

We have much more fun with dialogue. It took 18 months for Donen to cast the film. Donen says this was due to problems with billing, pay and the fact the woman's role was central made it difficult to find male stars to play opposite her.

A lot of male actors didn't want to be in an ensemble piece or a piece with a woman as a strong character. The only two female stars considered "bankable" at the time were Barbra Streisand and Liza Minnelli.

However the stars could not be locked down. Reynolds said it was "very important" the film was a success "since my last three films went down the tubes.

Segal later dropped out of the project and was quickly replaced with Hackman. Gene Hackman initially did not want to do the film, but 20th Century Fox kept offering him more and more money.

Filming began in Guaymas , Mexico in February and finished in July of that year. It was an exceedingly difficult shoot, compounded by the isolation of the location, poor weather, and the fact so much of it was shot on water.

And shrimp. That's all we ate - shrimp. We were stranded. There was no TV, no radio, no American papers. The only way we knew what was going on away from the location was by telephone.

The artist Lilly Fenichel served as the film's art director. Scared of the boats, scared of the explosions, of the gunshots.

I'd look at him between takes and he'd be like this [crouching with hands over his head]. But the bedroom scene with the three of us was so beautifully done.

I remember going to rushes and saying, "This is going to be a winner - it really works. Nobody knew what was happening and you didn't care for the characters.

In the original script, the two male leads were killed by government agents and the final scene happened ten years later with Liza Minnelli's character married to a boring businessman remembering the men she once loved.

The writers said when they sold it, "The studio loved the script, and at that point no one objected to the ending. We worked backwards from that.

To us, the romance of the piece was in the idea of separation and loss. Because the film was booked in for a Christmas release, Donen only had three months to edit the film.

During this time Donen became concerned about the ending, feeling that the film had become much lighter than originally intended, and tried several different ones, including simply cutting off the final ten minutes.

He eventually decided the film needed a happy ending and Fox agreed to finance a reshot scene. Huyck and Katz wrote the new ending, albeit reluctantly.

But instead of making it the story of this woman, Stanley has made it a story of three people. That's valid. It's just different from what we originally intended.

Garth Wigan, a Fox executive at the time, later recalled, "We previewed the movie nine times. The 2-hour, minute version was wonderful. Burt Reynolds and Liza Minelli died at the end and everything was set up for them to die.

But market research told us they shouldn't die, so we started chopping a bit here, a bit there. We took the seriousness out. The only good preview we had was when the film broke, and Stanley Donen, the director, did a dance for the audience while it was being spliced.

It was decided that the new ending was not suitable, in part due to poor make up. So a third ending was used, which cut off the last ten minutes of the film.

Minnelli later criticized Donen for taking "out the part that made you feel like the three of us are in peril. I saw the finished picture and I never once was afraid for us.

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